BOTANICAL IMAGES SCOTIA - 2008

THE RCHS BOTANICAL PAINTING AND ILLUSTRATION EXHIBITION (BISCOT)
AT GARDENING SCOTLAND, INGLISTON, EDINBURGH 2008

Pinus strobus by Janis Bain

The above exhibition is held annually at Gardening Scotland, Ingliston, Edinburgh, Scotland. It is presented under the auspices of the Royal Caledonian Horticultural Society and the Royal Botanic Garden Edinburgh at the beginning of June each year.

It is a competitive exhibition whose aims are to show and encourage excellence in botanical painting and illustration.

Only botanical subject matter will be considered for exhibition and the organisers reserve the right to reject work and to require its removal if, in their opinion, it is considered to be unsuitable, i.e. sub-standard.

Selection Procedure

Artists wishing to exhibit may apply to the Botanical Images Scotia assessment panel and arrange for their work to be presented for consideration. The panel consists of the current year’s exhibition judges. They convene once a year in May/June and assess the quality of examples of work sent in by artists who wish to exhibit in future years. Artists wishing to be assessed for 2009 and beyond must submit their work by 24th May 2008. Artists who reside outside the UK may submit good quality photographic slides or digital images on a CD in ‘jpeg’ format of at least 3 mega pixel resolution.
An application form may be found at the end of the rules and regulations
.

Two generally accepted categories of botanical painting are considered for selection:
(a) Botanical Illustration - with scientific bias, showing relevant details, and
(b) Plant Portrait - not necessarily for scientific identification purposes.

Ÿ Artists who have not previously applied for assessment must submit 4 pieces of work for the consideration of the judging panel. These works may/may not be part of the set of works exhibited at a later date but must demonstrate the artist’s standard of work. . If the panel agrees that they are of the required quality, the artist will be eligible to apply for space at a future exhibition.

Ÿ Artists who have passed the assessment procedure are eligible to exhibit for the following three years e.g. if passed in 2006 they can apply for space in 2007, 2008 and 2009.

If an artist has not exhibited within the three years following the successful assessment, then that artist must re-submit works for assessment. If, however, the reason for not exhibiting has been lack of space, then the period of eligibility will be extended for a further year and the artist will be given priority in the next exhibition. In all cases if a period of four years has elapsed without the artist exhibiting at Gardening Scotland, a re-assessment must take place. Artists who have exhibited at Botanical Images Scotia will remain eligible for a further three years from the year in which they exhibited.
Passing the assessment procedure does not guarantee a place in the exhibition since space is limited. Any artist who is unable to be accommodated one year will be given priority the following year unless he/she has exhibited the previous year. This will ensure that newcomers will be given a fair chance to exhibit.

The Exhibition.
This takes place at the Gardening Scotland show at Ingliston. In 2008 this will be from 30th May - 1st June.

All artists must give an undertaking to allow these same works to be transferred to the Royal Botanic Garden Edinburgh for a further period (2-3 weeks) immediately after the G.S. show.
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Rules and Regulations

1. Paintings and drawings of plants must be at least life-size unless this is impractical.

2. A scale must be included if the subject is different from life-size.

3. Exhibits are to be two dimensional original botanical artworks. Preference will be given to works using water colour as the main medium but this does not preclude the use of coloured pencil, gouache, graphite or ink.

4. To be considered for an award eight works must be displayed. At least four of these works must not have been previously exhibited in a competitive exhibition.

5. Choice of subject matter is left to the artist but a theme e.g. a particular plant family, is important since each artist’s display of works will be judged as a complete exhibit.

6. Any less well executed painting/drawing among those shown by the individual artist will affect the level of the award given. The overall composition and placement of the works shown in the space provided is also important.

7. RCHS/BOTANICAL IMAGES SCOTIA (BISCOT) have decided that works are not to be framed. They are to be individually presented on lightweight board, with an acetate window mount. This has the advantage of being light to transport, and easy to hang, (see Presentation below for further details).The appropriateness of the final mounts with regard to the works and their relationship to each other in the presentation will be considered.

8. Written information e.g. plant names, if included on exhibits, must be accurate and considered as an integral element of the work.

9. No advertising or promotional literature is allowed other than the artist’s name, address/email address which will be shown at two locations in the exhibit i.e. at the top left hand and bottom right hand corners of the artists’ displays. Cards with this information will not exceed A5 postcard size and will be affixed and provided by the organisers. Artists will be free to display their details, limited to one A4 sheet on a panel elsewhere at the exhibition.

10. Each work must be numbered and labelled with the name of the plant/s depicted, Common and Latin names must be shown in black and white on cards affixed below each work . These to be no larger than postcard (A5) size.

11. Each exhibit must be labelled on the back with the exhibitor’s name /details.

12. No work may be removed (or substituted by another) before the end of both exhibitions.

13. Exhibitors will have free access to the Gardening Scotland Show.

14. Exhibitors are responsible for the cost of mounting their works as described.

15. All works sent for assessment/exhibition must be sent under a registered/insured system, or delivered by hand. The RCHS/RBGE will not be responsible for any damage caused en route or while on exhibition. It is the artist’s responsibility to arrange their own insurance to cover damage, loss or theft, and for the return of their works whether sent for assessment or exhibition.

16. Artists may remain in attendance throughout the period of the show. This is not compulsory, but the exhibition must be manned at all times by at least two artists. This is the sole responsibility of the artists who may nominate a substitute if they are unable to attend.
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AWARDS.
Gold, silver-gilt, silver and bronze classes are awarded at the discretion of the judging panel and will take the form of embossed presentation cards. There are no monetary awards.

Artists are judged to have reached a high enough level to qualify for entry to the exhibition but the judges are free to withhold an award if they agree it is below bronze level. The judges' decision is final.

The Mary Mendum Medal.
This medal has been struck in memory and honour of Mary Mendum who was a botanical artist at the RBGE and who died in 2004. It is unique to RCHS/Botanical Images Scotia and is of solid silver. This may only be awarded to an artist, whom in the opinion of the judges has presented an exceptionally outstanding exhibit, so it may not be awarded every year. The medal is presented free the first time an artist wins it, but if the same artist wins it subsequently, a special award card will be issued. (The artist may purchase a second or subsequent medal if he/she wishes.)

Judging Criteria
The botanical illustrations exhibited have to describe the plants they show accurately in form, colour and detail where this is part of the subject, and all are judged by the same criteria. In addition there is an aesthetic component which may be described as the quality of the work. It includes composition, contrast, delicacy of line and how it describes the forms etc. These are also vital components and allow the judges to grade the awards.

Guidelines for Exhibitors

These guidelines re-iterate some of the information in the Rules and Regulations.

1. Only botanical subjects to be depicted (life-size or larger).
2. Larger-than-life subjects to include a scale.
3. Where labelling is used -
-common names - lower case lettering only is used e.g. foxglove, dandelion, birch, except where there is a proper name attached e.g. St. John’s wort, Douglas fir, Sitka spruce etc.
-scientific names - the first name (generic name, genus) always starts with an upper case (capital) letter, as for example in Pinus sylvestris, Sorbus aucuparia, Euphorbia myrsinites Rosa rugosa. From this it can be seen that the second name (specific name, species) always starts with a lower case letter, even when it is a proper name as in sylvestris, aucuparia, douglasii, vulgaris etc. Family names are usually given upper case first letters e.g.
Rosaceae, Pinaceae,etc., but rose family, bilberry family, birch family, pine family, are all lower case.
4. Latin names to be shown on all exhibit cards. These to be accurate.
5. Eight works to be displayed in order to be considered for an award.
6. Themed/related subject matter is important.
7. Artists to give considered attention to the overall design of their complete exhibit.
8. Mounts to be white/off-white/antique white or similar colour and of dimensions which add to rather than detract from the unity of the individual display.
9. Space is allocated on boards measuring 7ft 6inches ht x 3ft w (approx. 2.28m x 0.914m).
A maximum of four boards are allowed per artist. The display boards, which are currently covered in mid-grey coloured fabric, extend to floor level but artists should note that the bottom edge of the works should not be below 2’6’’ (approx 76cm) above ground level. The boards are arranged in continuous lengths so that each display is seen as a unit.
10. The fixing of works to these screens is by means of ‘Velcro‘ pads/strips attached to the backs of the pictures.

Artists are reminded that their individual presentation will be judged not only on the quality of the works but on the overall design of the exhibit.

Sales
If an artist is approached regarding a sale of an exhibit, it must be made very clear that such a transaction is only possible after the showing of the works at the second exhibition, and that this is a private arrangement between the artist and the buyer. There is no bar to artists noting and reserving works for interested parties during the exhibition periods.                                                                                                 3/5

PRESENTATION GUIDELINES

Because of the composition and temporary nature of the display boards, it has been decided that paintings/illustrations will not be framed but will be presented for display as follows:-

a) Each work is to be mounted on a backing sheet as if for framing. The backing sheet should be a minimum 3mm thick board. (Kappa board may be used. This has a lightweight foam core and is easy to transport, but care is needed to avoid damaging the edges).
b) The mount should be hinged at the top. (Use acid-free tape)
c) A sheet of acetate which protects the work, is then inserted under the mount and tacked in place with tape at the top edge. This allows natural movement of the acetate due to changes in humidity and prevents cockling/buckling so avoiding most reflection. For larger works the heavier weight acetate is recommended.
d) Close the mount and secure so that it will not hinge open.
e) Attach self adhesive Velcro on the back of the backing board to hang the work onto the fabric covered display board. A piece of Velcro approximately 2/3rds the width of the painting should be used at about Ύ“ (2 cms.) from top and bottom edges. ( The Velcro should be the ‘hooky’ kind which will attach to the fabric of the panels.) The work may be easily repositioned if the initial attachment to the board is lightly done. When the position is correct the Velcro strip areas should be pressed very firmly to ensure good firm adhesion.

‘Kappa’ board and acetates of various thickness are available from good art shops.

‘Velcro’ is available from handicraft shops and from material departments in large stores.

Judging panel

To be appointed

Additional information for artists outside the U.K.

Postage:

Send slides/CD with the assessment entry form plus 3 international reply paid coupons to the address below. (Without coupons no return of slides/CD possible.)

RCHS/BOTANICAL IMAGES SCOTIA EXHIBITION,
c/o The Education Department, Royal Botanic Garden Edinburgh,
20A Inverleith Row, EDINBURGH EH3 5LR, Scotland , U.K.

Shipping of artworks: Artists are responsible for the cost of insuring and shipping their works either for assessment or exhibition, and also for their return. Artworks should be wrapped in bubble wrap and shipped in a re-usable box for return of work. If a wooden crate is used, screws not nails must be used. Styrofoam pellets may not be used. Artworks using these will not be unpacked and will be returned forthwith. A prepaid, return shipping order and labels etc. must be included for the return of work.

Artists may also use mail facilities of various sorts - remember to insure your packages and include the full cost for the return of works. Hand/shipping delivery of art works may be made during working hours Mon - Fri.

Contact: Coral Prosser 28 Mayfield Terrace, Edinburgh EH9 1RZ, Scotland U.K.

For Additional Queries Contact : coralprosser@supanet.com
                                                                                                                                               

For the APPLICATION FORM for ASSESSMENT of BOTANICAL WORKS scroll to next page           4/5


BOTANICAL IMAGES SCOTIA

APPLICATION FORM FOR ASSESSMENT OF BOTANICAL WORKS

Applicants should note that four works must be sent to the selection panel c/o Royal Botanic Garden Edinburgh to arrive by the 24th May. The panel’s decision will be sent to the artists by the 30th June. The successful artists will be eligible to apply for space at the next exhibition the following June and for two further years. (Please consult the notes on eligibility for further clarification.)

First name………………………………...Surname………………………………...........................

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Description of works (medium, title and overall size)

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Each work must be labelled on the back with the artist’s name and address and the title of the work. All works may be collected between the 1st - 8th July. Arrangement for collection must be made in advance. It is the artist’s responsibility to ensure that the works are packaged adequately and insured. If works are to be returned by carrier/post etc. It is the artist’s responsibility to ensure that the packaging in which the works arrived is able to be re-used for the return journey and any money, stamps, vouchers, or carriers payment etc needed for the return of the works, is either sent with the works or has been paid to the carrier who is to uplift the works.

Send to :- BOTANICAL IMAGES SCOTIA at GARDENING SCOTLAND,

C/O EDUCATION DEPT.,

ROYAL BOTANIC GARDEN EDINBURGH,

20A INVERLEITH ROW,

EDINBURGH EH3 5LR                                                                                                          5/5